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Third part is up! https://youtu.be/obpgcO-pTT8
This one we especially look at the casting and acting of the piece, since that proved to have an influence on the dynamic. I get into a bit of a discussion on the British approach (which I call "mastery of craft" because I don't think it actually has a term) vs. American method acting.
I say Yaphet Kotto's name a lot, so I really hope I didn't pronounce it wrong.