DESCRIPTION
So frame 1 is interesting because it's pretty much entirely unseen in the film. And these first three probably have what everyone wants to see, but I'll animate it all even if I'm unsure of the timings currently. Frames 10-12 are going to be deceptively awkward because I'm going to have to jump ahead and draw the final one, delete the hair, then draw 10/11's unique movements on that base - without aliasing.