Okay, so it's time to sum up the results of the whole year. Maybe it wasn't the most productive year but it surely was a very significant one, a lot of new changes happened in my art life.
First of all, I developed a serious affection for Lycaon which is extraordinary for me who rarely draws modern hyping furry icons just for myself. I mean, I have affection for many hot guys like Legoshi, Louis or Mr Wolf but I rarely draw them for myself. My first Lycaon artwork was actually the second piece I did in 2025 after Pass Gas Day art with my OCs and I pretty much finished this year with two Lycaon pieces as well.
Speaking of hyping characters, another significant piece is the first commission of the year with big butted Jack from Beastars. I know it's partially because of it being older than more recent submissions but currently it's the most popular piece of the year with 347 favs on Furaffinity. For me it also was a very special piece in terms of alts because it had really good scat edits, some of the best I ever did, not to mention a very unique idea with Legoshi being involved. This artwork is turning one year old in February and I can't wait to post some of the alts publicly on my AD.Also, it's more like 2026 news but I posted this artwork again on my Twitter just few days ago because I saw that big butt Jack became another random trend there and surprisingly it received a ton of attention which was very pleasing. It was retweeted by three popufurs with 2000 5500 and even 12000 followers and as a result this post got 350 likes in a very short time, quite a lot for me considering my posts rarely get more than 100.
Another Beastars piece which stood out among other artworks is Airhead Affairs, my first attempt at head inflation kink which I was slightly insecure about considering how weird and silly it looks but it got SO much positive attention I feel like doing it again one day. I teased people with my ideas I had for Louis solely with even more extreme inflation and I also want to draw my own rendition of a head inflation thing my friend drew with Volk and hopefully I'll find time to finally do it in 2026.
Other than that, I was working mainly with obscure characters and my OCs as usual. Although some of them got relatively a lot of attention as well, for example Kevin's Team Training commission with Kangoo characters has 211 favs right now and Ollie's Pride Parade Preparations Pride Month artwork with Ollie Gaytor from Gay Monopoly has 220.
Speaking of obscure stuff, I'm glad I finally finished few more artworks from 2022 this year. Just to remind you, it was a hard period when I basically had no home, was separated from my PC and had to live on a countryside at my friend's house for three months, I kept drawing kinky stuff despite all the hardships but couldn't do anything beyond pencil shading without my scanner or PC, only take pictures with my phone and posting them on Patreon. As a result, I made whole 25 drawings but after I went back to normal life I got caught in a cycle of more urgent things, you know, comms, holiday stuff, new random ideas and so on. As a result, I'm still not done with that stockpile and plow through it little by little year after year. A majority of it is already done but 9 of them still remain uncolored. Thankfully I managed to spare some time for three inflation pieces with Volk and another wolf in 2025. Hopefully I'll do something to Pepe le Pew and Pitu le Pew pieces from this bunch in 2026, I had plans for it for quite a while.Also this year was remarkable for embracing my love for human characters. After these two old hyper muscle artworks with Tarma from Metal Slug done in 2023 and Lucky Luke in 2024, making a whooping number of 9 human artworks in 2025 is quite a contrast. Although 2024 had those freaky beauty potion artworks with my irl self and my friends but we're talking about media characters here.
These are the characters I drew: Renji and Ichigo crossovered with Gyo manga concept, three part weight gain commission sequence with Tarzan, four part inflation commission sequence with Kyle from Lunar Silver Star Story game and also Lucky Luke piece which still remains Patreon-only, I wanted to turn it into a big sequence but this idea got shelved for now. All of these pieces except Lucky Luke were commissioned by the same person and I'm very thankful to this friend for encouraging my love for human characters. But I hope I'll be able to draw more human art by myself without financial boost of course.
And going back to freaky stuff, as I already mentioned in the beginning I also finally made an AD account on Furaffinity in April which felt very liberating. Initially planned as an account for artworks with grotesque transformations which are too weird to be posted on main, it also became a place to leak some selected one year old Patreon alts to show the full extent of my perversions to the world and I didn't regret this decision in a slightest. Can't say that this account is really thriving right now, very few of my submissions managed to go beyond 100 favs and the average number is more like 50 but I guess it's still pretty good for a young account with such exotic and extreme niche content. And numerous good comments I received there should not be ignored as well.
I'm also happy that I didn't miss a single key date in 2025, Pass Gas Day, Valentine's Day, Foreskin Day, Father's Day, even Pride Month, Halloween and Christmas, I drew artworks for them all! Even though some came with a little delay and I wish I drew more. For example, Father's Day and Pride Month ideas were planned to be bigger sequences and so much time passed already I guess I have no way now but just wait for this year's Father's Day and Pride Month to draw those sequels.And of course, let's talk about the biggest elephant in the room, my game projects. 2025 started off the bat with me finally mastering NES graphics and making my first perfectly authentic NES pixel art in January which is the faux game over screen with Zed. It was a truly significant breakthrough for me as a pixel artist, I surely felt proud of myself being the first furry artist drawing proper porn in retro graphics of old machines like Commodore 64, IBM, ZX Spectrum or Apple II but NES is a whole different thing for three reasons: 1. it has more advanced graphics which give much wider space for creativity 2. it's more well known among retro fans and pixel art enthusiast and 3. most importantly, it's the most significant part of my own nostalgia since NES games were the first games in my life. So, after toying around with random ideas for a while, I started a little weight gain sequence with Zed which became the beginning for a WAY bigger thing. Ever since May 2025 I haven't done a single OC piece except one hyper dick pin-up with Mark and no pixel art at all because all my efforts regarding OCs and pixel art were now focused on a game project. Or better say projects. First I started working on materials for the food and weight gain themed one inspired by this Zed sequence and then I got distracted by a different project with more explicit visuals, Tricky Dicky Adventures. As a result, both of them are about 70% done, well, I mean visual materials of course. For now I'm just doing a game designer job with nobody to do the rest.(And let's not forget these little bits I did for a possible third idea with a human guy in Zed's world)I really hope that this problem with programming part will be solved in 2026, either my boyfriend will finally arrange my moving to Moscow so we could start living together and he will start learning Assembler 6502 language to bring my ideas to life or I'll be looking for some enthusiastic programmer to help me out. There's so many cool homebrew NES games coming out every year I just can't help but be sure that all my efforts are not being wasted in vain.Anyway, it's insane that ALL this stuff was drawn in just one year, I guess I was spending way too much time on pixel art and studying NES graphics through playing games this year haha. Still, despite most of this stuff came as a result of procrastination and the lack of energy for regular art, I'm feeling pretty proud of myself. Regardless of what my efforts will lead to, working on all this stuff was very inspiring, I created lots of new cool characters which feel like a part of my OC universe now and certainly gonna be drawn outside pixel art and game projects.
But the most important event of this year is probably my drastic change of style which happened in August. After all my occasional shy attempts at simplified fully digital shading with my OCs I finally decided to give up pencil shading forever and try doing realistic things with just my PC mouse as well and not just simple shapes of my geometric characters. And I have zero regrets despite all the good things people were saying about my style that combined traditional pencil art and digital coloring which was dominant for years. I already described it in full details but there were numerous reasons why I didn't like it. Too much time to shade simple surfaces where you can just use big smooth brush on PC, too hard to erase without dirty smears, too dark contrasted shadows, too difficult to work with tiny details and so on. Mouse is a bit uncomfortable as my hand can't be as agile and swift as it does with pencil but still it feels much better than pencil which I'm now using only for sketching and this might become obsolete as well if I ever get myself a drawing tablet. Artworks done in recent months definitely felt like a huge step up and look much prettier than my previous style and I'm glad I made this decision.Phew, well, I think I listed it all. After such an extensive list of events it's hard to call 2025 a less productive month. It still feels like it was, remembering all my procrastination and times when I could spent several days in a row without working on art at all, all my sleep schedule problems I went through this year and still keep going through but maybe it's not that bad. If we condense the most important aspects of 2025 to one sentence, I really pushed it with Lycaon art, created an AD account, drew art for all the special dates, did an exceptional amount of human art, tried head inflation kink for the first time, mastered NES graphics and did huge progress with two game projects and changed my style to fully digital. Good year I guess!
In the end, it's time for the traditional part of every such summary: Patreon statistics.
What can I say, compared to previous years, 2025 was more a year of hopping around the same spot, quite contrasting ups and downs all the time but still it's better than having a noticeable decrease, I guess this is what I deserve for a generally less productive year. Speaking of drastic ups and downs, I was quite surprised that after being so unproductive in December and making just two works (more like one and a half considering Leroy piece got its edits done only in January) I gained SO much more funding compared to previous more productive months which can be seen on this big spike in the end of the first diagram, it looks like some Christmas miracle lol, I thought people would just go broke after winter holidays and mass-unsubscribe, especially after me doing just one big post, you guys are so unpredictable.
Anyway, this support means a lot to me no matter if it's growing or stays the same without increase, right now it's my main source of income which really helps me to make ends meet, even more than commissions, I don't know what I'd do without it and I want to thank you all for making my life better than I could ever imagine it. Let's hope that 2026 will be a better year for us. Thank you all!