DESCRIPTION
Chinatown meat inserted from behind.
The composition, which fills the entire horizontal canvas with depictions of a girl's flesh, is simple yet dynamic and pleasing to the eye.
However, the problem with a composition where the subject is thrusting from behind is that the insertion part is not visible. If you want to show everything you want to show, you have no choice but to turn to Cubism.
...No wait... I just realized. In this case, I should use a cross section. I've never done it before, so I'll try it when the time is right.